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The best songs of 2020

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Best Songs Of 2020

When you’re locked up, there’s nothing more liberating than an inner journey. And music is the best transport in those kinds of situations. Therefore, we have advanced our list of best songs of 2020 so that you can look for inspiration in this handful of great songs, styles, and a wide variety of media repercussions. And if you need more evasive entertainment, we also leave you the ranking of the best series 2020, that of movies of 2019 that you may not have seen and a lot of Netflix in series here and cinema here.

1.19 days and 500 nights later – Travis Birds, Benjamín Prado

You have to be tremendously kamikaze to take the roundest letter of Joaquín Sabina, the one that every god has burned by his genius, by his grace, by his street philosophy, by his vision of love, and to give him the reply. A thousand songwriters would have clapped before a challenge in which the writer Benjamín Prado has shone (yes, the one you like so much about La Ventana La Ser) with a version in which he maintains the melody and structure of the song and gives the floor to “María” to sing how the break was from his point of view.

2.Falling – Harry Styles

Harry Styles jumped into the pool (literally) with his debut of this great song at the BRIT Awards, and the video clip follows the same creative proposal, with even more Gucci. Aesthetic fascinations aside, it is a great power ballad with a penetrating melody and a dedicated and honest interpretation, bordering on disappointment, on the part of a singer who is becoming on his own merits one of the most important voices of his generation

3.René – Resident

It is not necessary to know the biography of the leader of Calle 13 to feel the sincere power of this confession face to face with the public. In René, the loneliness of fame explodes, the absurdity of triumph, emotional dependencies, and other substances, the idealization of childhood and, as a real bomb, social injustice, and police violence. Can it be hypocritical, the cry of a rich boy? Of course, but along the way he achieves exciting punches.

4.No Time To Die – Billie Eilish

The radical centennial of impossible nails and tendencies between suicide bombers and Instagram makers collides with the solemn classicism of a sixties film saga. And what happens? That Billie Eilish’s Bond song is both dangerous and luscious, current, and eternal. It is true that many haters have come out, but more because he played than because of artistic controversy. Without forgetting that it is a soundtrack and not a radio formula hit, it seems to us a very interesting joy that smells of Oscar from now on.

5.Point of No Return – Vetusta Morla

This very early review of an album as round as the Same Place, Different Place was a little scary, but some songs have grown so much in the last tours and festivals that give meaning to the project. The clearest example is this Point of No Return, which perhaps had a production that was too invasive in its origin in terms of atmospheric sounds, and which here is fully released with the ecstasy of guitar and percussion when “the gale” arrives. Anyone who has heard it live has a one hundred percent chance of getting goosebumps.

6.Stupid Love – Lady Gaga

One of the reasons Lady Gaga has become the total artist of the 21st century is because she always does what is least expected of her: after the fantastic album Joanne, much more country than a firecracker, and playing the Oscar gold With its most classical musical version, it kicks the path of ‘seriousness’ and reappears with bubble gum.

7.Crazy – Varry Brava

In Esquire, we love Varry Brava desperately since the pot went off in this acoustic-interview and they ended up singing for Marta Sánchez. Óscar, Vicente, and Aarön are like this, horny and uncomplexed, and from this prism, you can celebrate this unexpected musical leap from festival pop (who insists on putting the label of indies is that he has not understood anything) to tropical reggaeton.

8. Forget about me – Natalia Lacunza

Her time at OT pointed out that Natalia Lacunza was going to be an artist with energetic themes with empowered choreographies … But both her first album and the first singles that she is about to release are hypnotizing, especially in the intimate, apparently simple times with a very delicate, disturbing, and inspired production. The Forget Me melody has those classic ballad twists that moisten sensitive eyes and a tremendously current echo.

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